Tuesday, 18 January 2011

This years Southport Weekender

Southport Weekender have revealed the first names for their 24th annual event, scheduled for May 6th through the 8th.


Rather than their usual home at Southport in Pontins, the festival will take place at Mineheads Butlin's Resort—the festival's fifth venue yet in its nearly quarter-century history. According to a press release, the move was intended to make room for a bigger audience, with the massive indoor venue allowing for 1,500 more tickets to be sold. Like many of Southport's past events, the lineup blends big room crowd pleasers with DJs hand-picked for "the heads." Chicago native Derrick Carterheadlines, along with fellow US house veteran Kerri Chandler. Dixon, Rub N' Tug,Joy Orbison and Motor City Drum Ensemble have all been billed as well. Deep house luminary Theo Parrish and London dub specialist David Rodigan both make return appearances. More pop-friendly acts include The Unabombers, DJ Spen and John "Jellybean" Benitez.


Line Up Thus Far.....

Derrick Carter
Jellybean Benitez
RONNIE HEREL
SHORTEE BLITZ
SNOWBOY
KEV BEADLE
DJ BIGGER
TERRY JONES
ANDY DAVIES
MIKE STEPHENS
BOB JEFFRIES
STEVE WREN
DJ SWERVE
STEVE BUTLER
+ More TBA

Monday, 17 January 2011

Atjazz Review & free tracks

Studnitzky - "Hauke EP"


The live musician Sebastian Studnitzky lives in Berlin and plays with renowned artists such as Jazzanova Live, Nils landgren, Mezzoforte, etc. on an international level. "I used to be just a jazz trumpeter", says Sebastian Studnitzky. In the course of his musical career though, he has managed to open many doors into Pop, Club and Jazz Music, developing into a unique multi-instrumentalist. He plays trumpet, the piano and the keyboard. On his new album EGIS and on this release "Hauke". He has created his very own sound, mixing his jazz-background with electronic sounds. This was nothing new to him as he has been working an performing with electronic producers such as Soulphiction and Ricardo Villalobos in the past. Atjazz, Vakula and Subfossil all offer great new interpretations with their club-remixes of "Hauke".

This Ep is dope and is a must have for all fans of deep house. Atjazz has really gone to town on this one and stripped it back to raw deep house vibes, which almost sounds like a contradiction in terms but when you listen you will understand.


BWR009 - Studnitzky "Hauke EP" by bestworks


Lee Ritenour & Dave Grusin - Early Am - (Paris Cesvette and Abicah Soul Mix)




Friday, 14 January 2011

Henrik Schwarz Returns To Blow The Roof Off 4 Albums in One Year...


Those who saw Henrik Schwarz last time he toured Sydney for the Future Classic 5 Years party can testify that Mr Schwarz uncanny ability to read the dancefloor & develop his sets down to the finest detail to suit the mood of room made his performance one of the dance highlights of Sydney for 2009.

Electronic music lovers in Sydney should be very excited to know that Henrik Schwarz will be performing at the always amazing Becks Bar at Hyde Park Barracks as part of the Sydney Festival this coming Thursday the 13th of January hosted once more by the lovely folk at Future Classic. Henrik was kind enough to answer a few questions for us about his recent activity to get everyone in the mo0d for dancing the night away to his excellent remixes, edits & live improvisations this Thursday.

Having seen your shows & heard your live albums, it’s easy to see why your performances are often classified as “live remixing”. Would you consider this term a fair appraisal of the Henrik Schwarz live show?

Yes I think you could say that. It is all about bringing together different elements in real-time and see what is coming out. Sometimes when things go really well you might create a special magic moment when the music is something neither I nor the audience has ever heard before – these moments are what I enjoy the most.

What kind of equipment are you using in your current live setups? Is it still just Ableton Live & a mixer or have you expanded to include more equipment into your shows?

I still use just my computer and a controller with Ableton Live and an analogue compressor for good sound. I am currently experimenting with iPads and keyboards but this will still take a little while to be stage stable.

How did you get your introduction to music production? Where you using analogue gear before digital software?

I started to work with analogue gear only - a friend of mine had them all - 909, 808, 303, 101 etc. And he didn't have any space - so lucky Henrik could offer him the basement of my parents house as a place to put his stuff. Hehe.

How did you begin to pick up programs like Ableton and how steep did you find the learning curve?

I started using Ableton immediately after its release - the first version was stable and not very complicated so I found it easy to learn how to use it. I used Cubase before but it was already a very complex program at that time. Today Ableton Live has become more complex but I have been growing with it so it’s ok to understand.

Your recent Innvervisions release is a live cut taken from your Critical Mass tour. What can you tell me about the setup for that show & how do you enjoy performing live in a collaborative environment as opposed to alone?

When we play live together I absolutely love the group performance aspect. It is like playing in a band. On the other hand when I play solo I have full control over what is happening and I am much freer in which direction I want to go. So there are good and inspiring sides within both options.

Do you have any upcoming releases in the works for 2011? Can we expect another live album in the not too distant future?

My solo album is half finished but won’t be near completion until Autumn. I have an album finished with Bugge Wesseltoft ready for release. I have 9 written scores from my pieces ready to be recorded by a 9 piece classic ensemble by end of next month! That will be another album called Henrik Schwarz Instruments ready by summer. Ah yes and I forgot to mention - I also wrote and played a filmscore with Âme and Dixon that is also ready for release called A Critical Mass presents Das Cabinet Des Doktor Calidgari. So in a way there were 4 years of no albums but now we have 4 albums in one year. Not sure if that’s good or not but it should be exciting listening none-the-less.

Your return to Australia this year see’s you playing at the Becks Festival Bar, often considered the highlight venue of the entire Sydney Festival. What are you looking forward to most about your return to Australia & are there any special treats we can expect on the festival night?

For sure I will play some new pieces and I love festivals - is it going to be outside? (It certainly is Henrik, it certainly is.)


Thursday, 13 January 2011

An Interesting watch on Funktion One

In this video interview the owner and designer of Funktion One loudspeakers talks at length about how and why he thinks their audio systems are the best in the world, and what it takes to be the best.

Wednesday, 12 January 2011

This Weekends Activities

Trinidadian Deep Farewell Party @ Fluid, Friday 14th.

Line Up

Trinidadian Deep
Jay Russell
Jamesey
Leon Paul


Time:10:00:pm - 03:00:am
Venue:Fluid, 40 Charterhouse Street, Farringdon, EC1
Cost:Free







Je Nais Se Quoi @ Vibe, Saturday 15th.

Line Up

Marathonmen Aka Freddy McQuinn
Simbad

Kyri (r2) Special Guest


Time:8:00:pm - 03:00:am
Venue:Vibe, 91 Brick Lane, E1 6QL
Cost:£4

Tuesday, 11 January 2011

Maya Jane Coles RA Podcast....

London's newest house talent steps up. Maya Jane Coles is a 23-year-old London-based house producer whose recent work under her own name has been a point of intrigue for those in the wider dance music community. Club-going folk in her hometown may actually have been acquainted with Coles for a while now. Despite her relative youth, she's been playing DJ sets and live shows in and around the city for a number of years. Others may have had their introduction—whether they realised it or not—through Scuba's RA podcast at the beginning of last year, on which her excellent "Can't Hide The Way I Feel" track under the dubstep moniker Nocturnal Sunshine shone like a beacon. Coles can also be found performing live as part of the duo She Is Danger alongside Lena Cullen. Her breakthrough moment arrived back in October 2010 with the release of "What They Say" through French label Real Tone. The track reached the summit of RA's top 50 for that month and continues to reside within the top 10 months after its release. On her RA podcast Coles plots a steady course through grooving and often melodic house music, with plenty of her own unreleased tracks and edits thrown in along the way.

What have you been up to recently? I've been busier than ever with gigs so that's been occupying most of my time. It's been really nice seeing lots of new places and faces. I've been working on some cool remixes too, and I'm excited about my EP coming out on Mobilee at the end of the month.

How and where was the mix recorded? Just at mine on a pair of CDJs. Can you tell us a little bit more about the idea behind the mix? It's quite different to what I would play out, but I wanted to include some stuff that I wouldn't usually get the opportunity to play in clubs. I wanted to express a bit of musical variation within the house genre. I wasn't really thinking about trying to prove anything or impress anyone, I just wanted it to reflect a certain part of me and that I like. (And of course it's always a bonus if others like it too!)

There's a review of "What They Say" on discogs that suggests the track is a nod to '90s house producer MK. Is he, and this time period, indeed an influence on you? To be honest I wouldn't say MK was a specific influence as I was only familiar with a couple of tracks of his before I made "What They Say." Obviously after the comments I checked out more of his stuff I can see why people would make the link. I respect his work a lot and can see that he's definitely carved a strong sound in early house. Actually Defected have asked me to remix his track "For You," which they are re-releasing sometime this year, which is pretty cool, so that's currently something I'm working on. Even though I've never been a hardcore follower of '90s house music, (mainly because it was just a little before my time) I've always liked and respected the early sounds of house. I appreciate the simplicity yet effectiveness of early dance music, and I think this is what I was trying to achieve with "What They Say."

Will your Nocturnal Sunshine alias, and by extension dubstep, always be a secondary/side project for you? I guess it will be, just because I set it up as a genre-specific project. With the MJC stuff (including my album that I'm currently working on) I haven't set myself any boundaries genre-wise, which I guess is why it will always be my main outlet.

What are you up to next? When I have a little more time I'd like to get my label up and running, mainly because I want to have an outlet for my music alongside my artwork and have 100% creative control. But that probably won't be for a while. I've got sooo many ideas for projects and things I want to do I just wish I had more time to be able to carry them all out. My main priority is always making new music.


Tracklist
Rob Shields - Slum Room

DC Salas - Peru (Dave DK Brussels Berlin Connection Remix) - Doctor Vinyl Records

Axel Boman - Depression

Maya Jane Coles - Run with the Wild

El_Txef_A - See It All (Edit)

Maya Jane Coles - Protect Them

Youandewan - Eidolon - Magicbag Music

Julian Perez - Nelipot - Recycle Records

Rhythm & Sound ft. Jennifer Lara - Queen In My Empire - Burial Mix Records / Funman, Kick Da Joey & Vansam - Get Down - VectoRecords 2.0

Miss Kittin - All I Need (Gesaffelstein Remix) - Mobilee

The Timewriter - Wasteland - Neurotraxx Deluxe

Rhythm & Sound - Why / T. Williams & Terri Walker - Heartbeat - Local Action / Asad Rizvi - Me Tangare (MJC Edit) - Reverberations

Luca Albano - Calinda (Francesco Bonora Remix) - High Definition Records

Greenville Massive - Lost - Soul Sheep Music

Axel Boman - Naomi

Joni Mitchell vs. Maya Jane Coles - Stardust

Monday, 10 January 2011

Derrick Carter mixes Fabric 56

Fabric 56 is mixed by Chicago veteran Derrick Carter.

Carter allegedly got started on the decks at the age of nine, playing disco records at his family's parties. He became a key figure of his city's house scene throughout the '90s, playing clubs like Shelter and Foxy's and working at Gramaphone Records. One of his most notable achievements lies in Classic Records, the label he launched in 1995 with Luke Solomon and Chez Damier that put out exactly 100 12-inches in its decade-long stint (which famously began at CMC100 and counted downwards with each release), including modern classics like Isolee's Beau Mot Plage. An avid remixer, he's done reworks for everyone from Cajmere to Ricky Martin. With Fabric 56, Carter did his best to show what you might hear from him in a club: lots of his own remixes, lots of tracks from Chicago artists, and that signature "boompty boomp" sound. "I have some new stuff, some old stuff, some special stuff," he says. "I tried to give it that kind of treatment so it's authentic, and real and valid and present. It's Derrick. All day."

Tracklist
01. Jody Fingers Finch - Jack Your Big Booty (Derricks BHQ Acid Vocal / BHQ Bonus Of Beats) Green Velvet - La La Land (Derrick Carter Ds BHQ Business Remix)/ Dennis Ferrer - Church Lady (Tommy Davis & DJ Spen Bom Bom Bom Tool)
02. Almost September - Love (Derricks BHQ Remix)
03. DJ Sneak - Respect Bonito (Justin Long Remix)
04. Nick Garcia - Playin Tricks (Hector Moralez Remix)
05. Scope - 8 Track
06. Cricco Castelli - First Love
07. Osunlade pres. Nadirah Shakoor - Pride (Johnny D Remix)
08. Iz & Diz - Cosmid
09. Roger Sanchez - My Organ
10. Scrubfish - Testify To The Soul Provider
11. Olene Kadar feat. D-Low - Baby Keep It Up
12. Cajmere - Percolator (Derrick Carter Bonus Mix)
13. 1200 Warriors - HardDrum (B-Boy Mix)
14. Tripmastaz - Back on My BS
15. Piek meets Stan Garac - La Gondola
16. Lego - Bang Bang
17. Abraham Inc. - Moskowitz Remix (Ds BHQ Re-edit)

Fabric will release Fabric 56 on March 7th, 2011.